![]() Then when Adobe put the Book module into LR, I tried my next book using LR but soon discovered that it was missing a fair number of features that I had been using. I used a few vender produced book layout tools in the ancient past, before LR had the Book Module and as I recall Blurb was one of them though I don't think it was called BookWright at the time. Have you run into issues with BookWright ?ĭo you have any recommendations based on your experience? My question - has anyone here used both LRC's Book and Blurb's BookWright ? I can see myself producing a file folder of sized jpegs (per chapter) exported from LRC, then dropping them onto a page. It will probably turn out to be more work, but increased flexibility usually brings more work. It will also accept jpegs that are dragged and dropped. A quick look at it says that it is a lot more flexible than Book. I have downloaded the latest Blurb's BookWright onto my pc. I started a simple design using the Book Module, but quickly ran into limitations with multiple photo sizes and varying text. The sources will include scanned old prints, slides, stills from Super 8 movies, and regular camera shots. ![]() I am about to undertake a new project of producing a much larger book, an intro, and Table of contents, Chapters, and with photos from different sources. But it hasn't been updated for a while, as best I can tell. It has been great for my travel books using my regular camera photos and minimum text. From the color management page, click on the tab for BookWright and follow those instructions.I have made a number of books using the LRC Book Module. If you have access to Photoshop you can also follow the soft proofing steps found in our color management section, which makes use of Photoshop and Blurb's ICC profile. This approximates how this color will look once printed, since the bright pink color can't be reproduced on our presses. Background color with soft proofing turned OFF:īackground color (same color value) with soft proofing turned ON: If you turn on soft proofing and choose a background color that is out of gamut like the bright pink below, it will appear less saturated on the page to better approximate the printed result. But even on an uncalibrated monitor you'll still be able to anticipate which colors are likely to shift when printed.
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